Slew Rate & Full Power Bandwidth Calculator

The maximum undistorted output frequency for a given slew rate and amplitude, with a live tradeoff chart.
Full Power Bandwidth
Required Slew Rate

Full Power Bandwidth (FPBW)

FPBW = SR / (2πVpeak)
SR=0.5V/µs, Vpeak=5V (LM741-class)
Same SR, Vpeak=1V
SR=20V/µs, Vpeak=2V (video op-amp)
V/µs
V
Enter values and press Calculate.
Above the FPBW, the output can no longer be a clean sine wave — it distorts into a triangle-like shape as the op-amp's internal circuitry hits its maximum rate of change, regardless of how much open-loop gain or small-signal bandwidth the datasheet otherwise advertises.

Max Undistorted Frequency vs Output Amplitude

Slew Rate Needed for a Target Signal

SRrequired = 2π×f×Vpeak
20kHz audio, 10V peak
1MHz, 5V peak (video/RF)
Hz
V
Enter values and press Calculate.

Slew Rate: The Other Bandwidth Limit

Slew rate (SR) is the maximum rate of change an op-amp's output can physically achieve, typically specified in volts per microsecond (V/µs). It is a completely separate limitation from the op-amp's small-signal bandwidth (gain-bandwidth product): small-signal bandwidth describes how well the op-amp tracks small fast signals, while slew rate limits how fast the output can swing through a large voltage change, regardless of frequency response on paper.

Why amplitude, not just frequency, determines distortion

A sine wave's fastest rate of change happens as it crosses zero, and that peak rate of change is proportional to both its frequency and its amplitude: d/dt[Vpeaksin(2πft)] has a maximum of 2πfVpeak. If this required rate exceeds the op-amp's slew rate, the amplifier physically cannot keep up, and the output distorts into a triangle-wave-like shape instead of following the intended sine — this is exactly why a large-amplitude high-frequency signal can distort even on an op-amp whose small-signal bandwidth looks more than adequate.

The frequency at which this just starts to happen, for a given amplitude, is called the Full Power Bandwidth (FPBW): the highest frequency at which the op-amp can still deliver its full rated output swing without slew-induced distortion.

QuantityFormula
Full power bandwidthFPBW = SR/(2πVpeak)
Slew rate required for a target f, VpeakSRrequired = 2πfVpeak
Peak rate of change of a sine wavedV/dt|max = 2πfVpeak (at the zero crossing)
Typical general-purpose op-amp SR0.5–20 V/µs (e.g. classic 741-class parts)
Typical high-speed op-amp SR50–1000+ V/µs (video/RF-oriented parts)

Real-World Applications & Fully-Explained Examples

Worked examples — explained in full

1. Classic 741-class op-amp, SR=0.5 V/µs, driving a 5 V peak output. FPBW=0.5×106/(2π×5)≈15,915 Hz (≈15.9 kHz) — well short of full audio bandwidth (20 kHz) at this amplitude, explaining why 741-class op-amps are a poor choice for full-swing high-frequency audio.
2. The same op-amp, but only swinging 1 V peak instead of 5 V. FPBW=0.5×106/(2π×1)≈79,577 Hz (≈79.6 kHz) — exactly 5× higher than example 1, since FPBW is inversely proportional to amplitude: reducing the required swing lets the same op-amp handle much higher frequencies.
3. A faster video op-amp, SR=20 V/µs, 2 V peak. FPBW=20×106/(2π×2)≈1.592 MHz — comfortably into the megahertz range, appropriate for video-rate signals, illustrating why "video op-amps" are specifically marketed on their high slew rate.
4. Required slew rate for full-swing 20 kHz audio at 10 V peak. SRrequired=2π×20000×10≈1.257 V/µs — already more than double a classic 741's 0.5 V/µs rating, showing why a "hi-fi" full-range, full-amplitude audio design needs a distinctly faster op-amp than the most basic parts.
5. Required slew rate for 1 MHz at 5 V peak (video/RF-adjacent signal). SRrequired=2π×1,000,000×5≈31.42 V/µs — solidly in high-speed op-amp territory, well beyond general-purpose parts.
6. Doubling the required amplitude at a fixed slew rate. Using example 1's op-amp (SR=0.5 V/µs) but needing 10 V peak instead of 5 V: FPBW halves from 15,915 Hz to 7,958 Hz — confirming the inverse (1/Vpeak) relationship directly: doubling amplitude exactly halves the usable frequency for the same op-amp.

Frequently Asked Questions

What is op-amp slew rate?

It is the maximum rate of change (in volts per microsecond) an op-amp's output can physically achieve, independent of frequency — a hard physical limit set by the internal circuit's ability to charge/discharge its compensation capacitance.

What is full power bandwidth (FPBW)?

FPBW is the highest sine-wave frequency at which an op-amp can still deliver its full rated output amplitude without slew-rate-induced distortion, calculated as FPBW=SR/(2πVpeak).

Why does my op-amp distort a large signal but not a small one at the same frequency?

The peak rate-of-change of a sine wave is proportional to both frequency and amplitude (2πfVpeak). A small-amplitude signal at the same frequency requires a much lower slew rate to follow cleanly, so it may stay well under the op-amp's slew rate limit even when a larger-amplitude signal at that same frequency would exceed it.

Is slew rate the same thing as gain-bandwidth product (GBW)?

No. GBW describes small-signal frequency response (how gain falls off with frequency for small signals), while slew rate is a large-signal limitation on how fast the output voltage can physically change. An op-amp can have excellent GBW yet still slew-limit badly on large signals if its SR spec is comparatively low.

What does a slew-rate-limited waveform look like?

Instead of a smooth sine wave, the output becomes visibly triangular, with straight, constant-slope ramps (at the maximum slew rate) replacing the natural curved sine shape near the zero crossings and peaks.

How do I calculate the slew rate I need for my design?

Use SRrequired=2πfVpeak, where f is your highest frequency of interest and Vpeak is the largest output amplitude you need at that frequency, then choose an op-amp with a rated slew rate comfortably above this (commonly with 2× or more margin).

What slew rate is considered "fast"?

General-purpose op-amps (like classic 741-derived designs) are often 0.5–20 V/µs; "high-speed" or "video" op-amps commonly reach 50–1000+ V/µs. What counts as "fast enough" always depends on your specific frequency and amplitude requirements, not an absolute number.

Does slew rate affect square waves and pulses too?

Yes, in fact even more directly — a fast edge on a square wave or pulse demands an extremely high instantaneous rate of change, and an op-amp's slew rate directly limits how fast that edge can actually rise or fall, rounding off otherwise-sharp transitions.

Why do audio designers care about slew rate if hearing tops out around 20 kHz?

Because the relevant number is the required rate at full amplitude across the whole audio band, not just at the highest frequency component alone, and some designs intentionally include margin for ultrasonic content, transients, and feedback stability that pushes effective bandwidth requirements above 20 kHz.

Can adding negative feedback or gain reduce slew rate limiting?

No — slew rate is a fundamental limitation of the op-amp's internal output stage and compensation, and it doesn't change based on the external feedback network or closed-loop gain configuration; the only way to get more slew rate is to choose a faster op-amp.

What happens if I operate right at the calculated FPBW?

FPBW marks the theoretical onset of slew-induced distortion, so operating exactly at it, or especially above it, risks visible waveform distortion; a common design practice is to keep your actual operating frequency well below the calculated FPBW for margin, rather than treating it as a hard, distortion-free ceiling.

Related Calculators

Op-Amp Gain CalculatorSallen-Key Active FilterADC Resolution CalculatorAll Calculators